Review: The Grey

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Photo Credit: Kimberley French, Distributor: Open Road Films

“The Grey” is a film that had to have been difficult to market. It has the thrills of a suspense film like “The Fugitive,” the unpredictable deaths of a horror film, truly breathtaking cinematography and stellar acting beyond what’d you’d expect from a film where the main antagonists are a wolf pack that’s a lot more dangerous than “The Hangover’s” hilariously inept pack of Stu, Alan and Phil. More

Review: Red Tails

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Full disclosure time – I love World War II movies. From the epic to the just alright, I’m pretty much all in if it’s dealing with the Allied forces clashing with the Axis.

Outside of a cable movie starring Laurence Fishburne, Hollywood hasn’t been as eager to explore the exploits of the Tuskegee Airmen, a squadron of African-American pilots who battled both the Nazis and segregation in showing their worth.

George Lucas (“Star Wars”) agreed and put his considerable clout and financial backing behind “Red Tails,” a more action-oriented take on the pioneers from Tuskegee. More

Haywire (6/10)

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Gina Carano

Photo by: Claudette Barius/ Five Continents Imports, LLC. All Rights Reserved.
Gina Carano stars in Relativity Media’s “HAYWIRE.”

The trailers will try and convince you that “Haywire” is the thematic and spiritual successor to “Kill Bill,” with a do-not-mess with, strong female lead getting payback on those who betrayed her.

And watching the glimpses of MMA star Gina Carano toss around Michael Fassbender, Channing Tatum, Ewan McGregor and Antonio Banderas certainly seems like a can’t miss premise as “Haywire” also offers an extra bonus for any nerds who ever wondered what it would be like to watch an American Gladiator completely destroy Magneto, Duke, Obi-Wan … and Puss in Boots.
But unlike Quentin Tarantino’s masterpiece, “Haywire” is much more restrained, calculated and not nearly as much fun. Granted “Haywire” isn’t set in a nearly cartoonish world where blood sprays like geysers such as the “Kill Bill” realm, but for a smarter, thinking action film, it sure is dumb at times.
Reunited with his “The Limey” screenwriter Lem Dobbs, Director Stephen Soderbergh (the “Ocean’s” trilogy) gives us a not-so typical portrait of the life of special ops soldier Mallory Kane (Carano). Mallory’s become disenchanted with her life and ready to break away from her boss and former lover, Kenneth (McGregror, “The Beginners”).
Fearing the loss of his prized operative, Kenneth pleads with Mallory to take a simple assignment, which naturally doesn’t go anything like planned and everything goes … (wait for it) … haywire.
For the first 15-minutes or so, Soderbergh seems content to stage “Ocean’s 14,” with lots of walking, insider dialogue that feels as if the audience has come into a much longer conversation with little clue what’s going on and multi-colored panels sweeping up, down and across the screen all set to the beat of a magically hypnotic soundtrack.  It’s pretty to look at and Carano makes for a striking figure onscreen, but Soderbergh and Dobbs doesn’t really let the audience into her head to see what’s beyond the surface, which seems contrary to the whole point of the film.
When Mallory’s tasked with accompanying another operative, Paul, (Fassbender, “X-Men: First Class”) to a meeting, there’s no reason why she decides to sneakily install a tracker onto his phone. Maybe this is just her standard operating procedure when working with a new partner, but it seemed too coincidental and just for the sake of the movie.
After their rendezvous, Paul attempts to kill Mallory like most highly-trained assassins would — with his fists. It seemed a bit silly, especially considering he had a gun close by. Then in an even bigger stretch of credibility, Mallory calls Paul’s contact, who instead of waiting to hear Paul, just asks is she dead. Have these guys ever watched a thriller, let alone a spy movie?
Mallory relays this story to Scott (Michael Angarano, “Red State”), a Good Samaritan who tries to help her from being caught by another operative, Aaron (Channing Tatum, “G.I. Joe: Rise of Cobra”). There’s no logical reason for Mallory to share all this information with a complete stranger other than to form some sort of narrative to past events for the audience’s sake. The payoff to the subplot with Scott is one of the more creative and surprising I’ve seen in a long time. It’s smart and has that “this would happen in the real world” sense that too much of the movie lacks.
Granted, I’d be much more willing to go with the flow of a Tarantino or Robert Rodriguez action film, but I expect the characters in a Soderbergh film, action or otherwise, to act smarter.
Structurally, the film is solid. Soderbergh shoots from a perspective to bring you right into Mallory’s world. When Mallory chases after an assassin, Soderbergh has the camera centered straight at her, her breath rapidly increasing as the chase intensifies without quick cuts to take the audience out of the desperation from both parties’. As Mallory drives off in Scott’s car, Soderbergh often gives us a backseat view almost as if we’re getting too close a look into the action.
Carano’s voice was altered, presumably to give her a deeper, more hardened sound. The effect didn’t work for me as it made Carano sound like generic tough-girl who one could stereotype as being a hard-edged fighter. She’s got enough star potential that her voice really didn’t need the tinkering to fit in some limited mold of what an action heroine “should” sound like.
If ever Warner Bros. decides to give a Wonder Woman movie a genuine effort, they really need look no farther than casting Carano in the lead role as she certainly has the screen presence to carry the role of an Amazon that doesn’t need Superman or Batman’s help in kicking butt.
For a January film, “Haywire” isn’t bad, but with its cast and acclaimed director/screenwriter, I was expecting a lot more than a passable movie-going experience. Slightly recommended.

Mission: Impossible – Ghost Protocol

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Photo credit: Industrial Light & Magic
Tom Cruise plays Ethan Hunt in MISSION: IMPOSSIBLE – GHOST PROTOCOL, from Paramount Pictures and Skydance Productions.

Tom Cruise is back as Ethan Hunt to lead a new group of would-be super spies in “Mission: Impossible — Ghost Protocol,” which should satisfy action junkies desperate for a mindless summer blockbuster-type film in December. More

Sherlock Holmes: A Game of Shadows

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Photo by Daniel Smith/Warner Bros. Pictures
(From left) NOOMI RAPACE as Madam Simza Heron, ROBERT DOWNEY JR. as Sherlock Holmes and JUDE LAW as Dr. James Watson in “SHERLOCK HOLMES: A GAME OF SHADOWS.”

Sequels are a tricky matter. For every “Empire Strikes Back” or “Aliens” that is just as good, if not arguably better than its predecessor, there’s 10 “Transformers 2” (alright maybe not that bad). The new gold standard is “The Dark Knight,” which built on a very strong first outing to become one of the highest grossing films of all time. Joining those illustrious ranks is “Sherlock Holmes: A Game of Shadows,” an encore even better than what’s come before.

While the first one was entertaining and fun, the sequel seems to have a better handle on Director Guy Ritchie’s vision for his take on Sherlock Holmes with a masterful blend of dazzling action, witty banter, strong characters and performances.

Not much time has left since last we saw Holmes (Robert Downey Jr.) and Watson (Jude Law). Holmes is still eccentric, borderline manic and Watson very reluctantly deals with his oddities since he’s a master detective capable of cracking any case. Watson is preparing for married life with his fiance, Mary (Kelly Reilly). Holmes’ skills are put to the test as he’s tasked with stopping the latest devious plot of the only man whose talents rival his own – Professor Moriarty (Jared Harris). Partnering with a new female companion Sizma (Noomi Rapace), who hopes to rescue her brother from Moriarty’s clutches, the trio set out to stop Moriarty’s most sinister plan yet.

Photo by Daniel Smith/Warner Bros. Pictures
JARED HARRIS as Dr. James Moriarty

Delaying Moriarty’s arrival in this new franchise until the second film proved a wise move. In the first installment, we saw how Holmes outwits those who can’t quite match wits with him and then we see how Holmes handles someone on his intellectual level. Harris is the perfect counterpoint to Downey’s unpredictably zany Holmes as he’s smug, overly pretentious and carries Moriarty as a man accustomed to being the smartest man in the room even in the face of a master detective. Downey remains a treat to watch put his unique spin on Holmes and the give and take he and Law have with their characters keeps the film fun.

As an added bonus, Moriarty has his own very capable sidekick in Col. Sebastian Moran (Paul Anderson). Having a hero outclass legions of opponents is nowhere near as fun as villains that are the equal to the hero and if Holmes has his in Moriarty, Watson has his own rival in Moran and Anderson appears to have a lot of fun in the role.

Photo courtesy of Warner Bros. Pictures
(From left) PAUL ANDERSON as Colonel Sebastian Moran and JARED HARRIS as Dr. James Moriarty

When he’s on his game, Ritchie is one of those directors who take you on a ride and while you’re not sure where he’s going, you’ll just sit back and enjoy it because the payoff will deliver. He’s at his best here as the film has so many great scenes it’s hard to choose a favorite. The shootout on a train that perfectly balances comedy and action is expertly staged. The escape from Moriarty’s clutches, with well-timed slow motion effects that adds, not distracts from the scene is very well-executed. But my favorite is the final act where Holmes and Moriarty engage in an actual chess match to mirror the mental game they’ve been playing, which Ritchie cuts with Watson and Simza trying desperately to stop Moriarty’s ultimate plot, leading to a final battle that brilliantly pays off everything Ritchie builds to throughout the film.

Ritchie adeptly pulls a Christopher Nolan with “Batman Begins” and “The Dark Knight,” and delivers a masterful movie epic that you’ll be talking about days after seeing it. But maybe this shouldn’t have come as a surprise. After all, Nolan teased The Joker in “Batman Begins” and Ritchie similarly hinted at Moriarty’s involvement in the first installment as the next adversary for Holmes and Watson. When this sequel was announced, I wasn’t all that excited figuring it’d be a watered down version of the original with more of the same, but in every possible manner this is a superior film and one of 2011’s standouts. Don’t miss it.

Rating: 8 out of 10

Photo by Daniel Smith/Warner Bros. Pictures
(From left) JUDE LAW as Dr. James Watson and ROBERT DOWNEY JR. as Sherlock Holmes

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