Review: Wrath of the Titans

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Photo courtesy of Warner Bros. Pictures
Perseus, played by SAM WORTHINGTON, battles Kronos in scene from Warner Bros. Pictures’ and Legendary Pictures’ action adventure “WRATH OF THE TITANS,” a Warner Bros. Pictures release.

I’m not one to rave about a sequel simply because it’s better than its lame predecessor, but “Wrath of the Titans” is in every conceivable manner a more entertaining and enjoyable follow-up to the 2010 “Clash of the Titans” and this time offers a fun outing actually worth seeing.

Of all the 2010 summer movies least deserving of a sequel I would have easily picked “Clash of the Titans.” With lousy special effects, wooden acting and the absolute most pathetic 3D this side of “The Last Airbender,” there was little to like but the performances of Liam Neeson and Ralph Fiennes, who deserved far better. And amazingly, they (and audiences) get that with this sequel that fixes all of the problems of a film that really didn’t merit a follow-up to craft a titanic big-screen adventure even worth seeing in 3D.

It’s been a decade since Perseus (Sam Worthington, “Man on a Ledge”) defeated the Kraken and he’s gotten married, become a father, a widower and living as a fisherman with his son, Helius (John Bell).

Perseus has been tormented as of late by premonitions of a great menace, which is soon confirmed by his father, Zeus (Neeson, “The Grey“) who seeks the aid of his half-god/half-human son to stop Zeus’ father, Kronos, from destroying the world. Zeus needs Perseus since humans are praying less to the gods and their powers are fleeting.

Screenwriters Dan Mazeau and David Johnson set up an easy to follow plot, but they struggle giving characters any depth. None suffer more than Perseus, who after being told that the entire world is jeopardy if he doesn’t help Zeus, says Helius is his priority. Some hero. Good thing Helius isn’t part of the world … oh, right.

Director Jonathan Liebesman (“The Texas Chainsaw Massacre: The Beginning”) doesn’t have a lot to work character-wise so he puts his all into giving the film an epic look with sprawling sets and perspectives to make good use of the 3D technology so the action scenes are the best parts of the film.

Zeus turns to his brothers, Poseidon (Danny Huston) and Hades (Fiennes) but oddly, none of the other gods are present save another of Zeus’ sons, Ares (Edgar Ramirez, “Domino”). Ares and Hades quickly betray their alliance and kidnap Zeus in hopes to gain Kronos’ favor so he will allow them to retain their godhood after he unleashes his evil minions on the world.

The special effects team crafts impressive CGI characters that naturally blend into the movie universe including Cyclopses, an ash-covered centaur-like creature with two torsos and a minotaur.

Perseus eventually realizes he does need to join the fight and partners with Queen Andromeda (“Doom’s” Rosamund Pike who replaces Alexa Davalos) and his cousin, Agenor (“RocknRolla’s” Toby Kebbell who easily steals all of his scenes as he’s given the majority of the funny lines). They’re joined by random fodder characters and Bill Nighy’s Hephaestus, a fun character who needed more screen time.

Not all is well in the realm however.

Photo by Jay Maidment
SAM WORTHINGTON as Perseus in Warner Bros. Pictures’ and Legendary Pictures’ action adventure “WRATH OF THE TITANS,” a Warner Bros. Pictures release.

I like Worthington and still think he has the makings of a real box-office star, but he comes off as such a generic, uninspired hero and having him play a straight-laced protagonist doesn’t play to his strengths. He seems more of the roguish-Han Solo type lead and Perseus is a very plain, dull character. Still, Worthington is just an ill-fit for the role and doesn’t drag the movie down with his performance. That “honor” easily goes to Bell, who is “I wonder how he’s related to the director” bad and his mouth agape expressions go from simply odd to straight out unintentionally comedic. Amazingly, Peter Jackson has Bell appearing in his upcoming “The Hobbit” films. I can only hope they’re very, very small roles. Pun intended.

Warner Bros. deserves a lot of credit for making an investment into delivering a better sequel. Since the original made $493 million worldwide, it would have been easier for them to just do what worked before — even if few people actually liked the finished product — but instead they opted to make a quality film and one that should be rewarded so go check it out.

Rating: 7 out of 10

Review: The Hunger Games

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Photo courtesy Lionsgate Publicity
Photo credit: Murray Close
Jennifer Lawrence stars as ‘Katniss Everdeen’ in THE HUNGER GAMES.

“The Hunger Games” is the latest ambitious beloved book series turned feature film hoping to follow in the footsteps of “Harry Potter” and “Twilight” to become an acclaimed movie franchise. Fortunately, it exceeds those lofty expectations to become the first genuine can’t miss film of the year that you’ll want to go back to the theater to see over and over again. More

John Carter

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Courtesy Walt Disney Pictures
Dejah (Lynn Collins) and John Carter (Taylor Kitsch) discuss strategy in “John Carter”

Maybe it won’t come as any surprise to long-term Pixar fans, but putting the forces behind Oscar winning animated films like “Toy Story 3” and “WALL-E” to work on live-action films would probably result in some very entertaining and fun movies.

Walt Disney Pictures clearly had the same idea in tapping Oscar winning screenwriter Andrew Stanton (who also directed Pixar’s “Finding Nemo” and “WALL-E”) to direct and co-write their adaptation of Edward Rice Burroughs’ pulp hero John Carter of Mars.

Not shockingly, under Stanton’s care “John Carter” is the kind of tremendous fun-filled film that’s worth going to the theater to see and could signal the start of the next great action franchise.

The opening act is a bit tedious and drawn out in explaining that Carter (Taylor Kitsch, “Friday Night Lights”) is a Civil War veteran who has no desire to fight anyone else’s fight after the loss of his family. In trying to evade Confederate recruiters, Carter encounters an alien, whose dying act is to send Carter to its home world of Mars.

Once Carter arrives on Mars, the film starts to get interesting ­- if a bit overwhelming.

Fantasy/science-fiction films have an easier time bringing the audience into their worlds when the screenwriters slowly introduce concepts, especially when the names aren’t as common as “Luke” or “Han.”

Stanton and his co-screenwriters Mark Andrews (“Samurai Jack”) and Michael Chabon (“Spider-Man 2”) have a more “you’ll catch up eventually” approach. It’s an interesting move as it helps to convey Carter’s confusion and bewilderment to the audience, but for those who aren’t willing to stick with the story, it could prove frustrating.

For those willing to go along with it, the story slowly sucks you in with a mix of edge-of-your-seat action and some genuinely funny moments. Carter encounters a race of cricket-like beings, led by Tars Tarkas (Willem Dafoe, “Spider-Man”), who are amazed at his strength and jumping ability – a side effect of his denser body reacting to the Mars atmosphere.

Courtesy Walt Disney Pictures
Dejah (Lynn Collins) prepares for her wedding in “John Carter.”

Not long afterwards, Carter meets Dejah (Lynn Collins, “X-Men Origins: Wolverine”), a beautiful princess being forced to marry the evil Sab Than (Dominic West, “Punisher: War Zone”) in an effort to restore peace to the war-torn land. Sab has the backing of a trio of beings led by Matai (Mark Strong, “Green Lantern”), who views Carter as a potential disruptive force to their larger scale plans for Mars. Initially, Carter just wants to get back home, but upon coming to care for Dejah – and absolutely nothing to do with that fact that she’s hot – he decides to fight to save her and her people from imminent doom.

Kitsch, who looks like the younger brother of “Justified’s” Timothy Olyphant or “Transformers” Josh Duhamel, comes across as a natural lead. It helps that his movie career is just getting started so audiences don’t have preconceived notions about what role he can or can’t do.

He shows that he’s got the makings to be the next big thing as he never lets a scene become too big for him, whether fighting a horde or in a thick-with-romantic-tension moment with Deja. This movie is called “John Carter,” not “A Trip to Mars” and Kitsch never loses focus that the film largely succeeds based on his efforts, especially since save for Collins, he’s the sole real actor onscreen for the majority of his scenes.

Courtesy Walt Disney Pictures
John Carter (Taylor Kitsch) prepares to soar in “John Carter.”

With blue blood gushing out of vanquished foes (it’s ok since they’re aliens), the film isn’t dumbed down to get the whole family in the theater and fully earns its PG-13 rating and that’s not even counting some of Deja’s more risqué wardrobe.

The screening I caught was in 3-D and the film boasted some strong use of the effect and making a strong case for chipping in a few more bucks to watch it with the added feature.

Stanton fully embraces the challenge of crafting an entirely new realm. Everything seems fresh from the character designs, incorporating Carter’s jumping ability as a fighting style to the planes that resemble dragonflies. This isn’t “Conan the Barbarian” with a new title. It’s a fun world that is ripe with potential for sequels to fully explore what else lies ahead for Carter and company.  And I’m looking forward to the next trip to Mars.

Rating: 8 out of 10

We Need to Talk About Kevin

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Show of hands for everyone who’s interested in watching a movie about a woman coming to grips with the fact that her teenage son killed a number of his high school classmates. Anyone?

Yeah, that’s kind of the challenge “We Need to Talk About Kevin” faces. It’s not the kind of movie that’s going to appeal to the dating crowd, teens, older couples and especially parents who can’t relate to the situation making for a very limited audience.

In the wake of the Ohio school shooting, the film’s wide release is sadly timely, but further raises the question of how necessary this movie is as it’s not thought-provoking enough to force you to face its challenging concept head on and it certainly isn’t a subject matter that most would initially consider for an entertaining trip to the movies.

This is the part where I’d to now go into all of the many reasons you should ignore your likely hesitation and give it a chance, but unless you can watch any movie regardless of the subject matter if the acting is solid, there’s little reason to invest your two hours in this depressing tale.

For acting aficionados, Tilda Swinton’s haunting performance as Eva, the guilt-riddled mother trying to figure out where she went wrong is stellar. She gives her all in the role and she rightfully was nominated for a slew of awards and was robbed of a Best Actress Oscar nomination. I’d imagine this has to do with the movie not being of Oscar caliber and not an indictment on her performance.

Director Lynne Ramsay, who also adapted Lionel Shriver’s novel with Rory Kinnear, is the main culprit as her chaotic storytelling is too jarring and invasive for a film that would be better told from a linear standpoint.

Instead, Ramsay opts to tell the story in bits, jumping from Eva’s present to the distant past and more recent past mixed with a soundtrack that is either grating or only fits the scene in an ironic sense that after it’s done more than twice ruins the effectiveness.

Even in diapers, Kevin is shown to be a bit off, scowling at his mother like some sort of psycho. Eva, like any good parent, wonders if there’s something wrong with him, but doctors can’t find any telltale signs. Eva has a much different experience as Kevin exhibits odd behavior such as needing diapers long after he can talk, vandalizing her study and giving every indication that he hates her. Jasper Newell and Ezra Miller, who play young and teen Kevin respectively, are great. They both hint at Kevin’s unhinged nature easily whether it’s glaring at Swinton or turning the act of making a sandwich into a maniacal exercise.

Eva finds little support from her husband, played with the right amount of skeptical disbelief by John C. Reilly. Save the climatic final 15 minutes, you’ll get the gist of the two-hour affair by the 30-minute mark: Kevin is nuts, Eva tried her best to deal with her demon seed offspring and Eva finds herself still paying for his actions as strangers give her cold stares and in some cases attack her.

Ramsay gets too caught up in the symbolism of Eva having the blood on her hand for Kevin’s actions both when encountering some of Kevin’s victims and more literally as she scrubs red paint that’s been splattered on her house and car.

The film becomes draining once it becomes evident that Eva, for all of Swinton’s expertise, is a victim just like all the other families Kevin’s actions impacted. She leads a life that she will never recover from that infamous day and the rest of her life is merely waiting for the end of it. This makes for a long experience because you quickly sympathize with Eva all the while hoping for something more – something that will inspire her and give her a reason for living. But as the end credits roll, Eva remains as we met her – a victim with seemingly no hope of ever being more than just another victim of Kevin’s actions.

Rating: 5 of 10

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