Film Flashback: Pirates of the Caribbean: At World’s End (2007)

Leave a comment

There’s good and bad news about ‘‘Pirates of the Caribbean: At World’s End.” The good is that great title aside, it’s easily a more entertaining, enjoyable escapade than last year’s convoluted and slapstick-esque ‘‘Dead Man’s Chest.” [2012 Flash Forward:  Oh yo ho ho, how I hated that movie, but the film made $423 million nationally to place #8 on the all-time highest grossing list in the U.S.  without the benefit of 3D seriously jacking up ticket prices, so somebody must have liked it. If nothing else it proved Depp was a serious box office draw after "Curse of the Black Pearl."]

The last 45-minutes with a truly imaginative climatic battle are worth the price of admission. The bad is that the film still has that feeling of the writers tossing in idea after idea with seemingly little concern if it really adds to the story.

With its nearly three-hour running time you won’t feel like you’ve been swindled out of your money, but cutting an hour or so out would have made for a tighter movie without so many dull, repetitive scenes.

‘‘Worlds” picks off right after the conclusion of ‘‘Chest.”  Capt. Jack Sparrow (Johnny Depp) is presumed dead, stranded in Davy Jones’ locker. Will Turner (Orlando Bloom) is trying to free his father from Jones’ service while Elizabeth Swann (Kiera Knightley) seems torn between Will and Jack, who she left for dead.

With all paths leading to rescuing Jack, Will and Elizabeth turn to the only man who can aid them — Sparrow’s old enemy Capt. Barbosa (Geoffrey Rush.) [2012 Flash Forward:  See also: The second best character in the Pirates universe.]

Director Gore Verbinski kicks the action off in a fun sequence where Barbosa, Elizabeth and Will travel to Singapore hoping to enlist the assistance of Capt. Sao Feng (Chow Yun-Fat, ‘‘Bulletproof Monk”) and run afoul of some British troops seeking to put an end to piracy once and for all. The swordplay and hi-jinks are so energetic and fun-spirited in just this opening segment that it seems to signal a return to form of the original.

Oddly enough, the film loses its sea legs when Sparrow finally appears on screen stuck in the middle of a desert with no sign of the sea monster that terrorized ‘‘Chest.” The spark that drove the original, Depp’s Sparrow seemed to be stuck in a creative treadmill, rehashing the zany behavior that worked so well in ‘‘Pearl.”

It’s more of an indictment on writers Ted Elliott and Terry Rossio than Depp, who is as game as ever, even when working with silly material (a ship with a crew of nothing more than a bunch of Jack Sparrows.)

Wacky scenarios aside, Depp is still the most engaging actor in the series, as his co-leads Bloom and Knightley frequently mistake staring intently while speaking through clenched teeth as conveying a wide range of emotions. Thankfully Rush, who seems to relish playing a pirate with an easily conveyed enthusiasm, has more than a cameo so Depp isn’t the only actor with some genuine charisma.

After rescuing Jack, the gang meets up with the rest of the pirate leaders to devise a plan to stop Jones (Bill Nighy), who has aligned himself with the Brits. [2012 Flash Forward: Jones' goofy costume was also pretty off-putting. How seriously can you take a squid?]

With loyalties and motives changing seemingly every 10 minutes, it’s hard to keep track of who wants what or why they want it even if you’re paying close attention. I got confused as to whether Will was on the ‘‘good guy side” or if he had aligned himself with the Brits for awhile.

However murkily the scene is set for the big climax, it’s definitely worth the long, often boring voyage to get there as it features the perfect blend of all-out action⁄comedy that is the franchise at its swashbuckling best ending with a battle amidst a rain-drenched whirlpool, the ideal setting for a pirate movie. The film ends in a nice open-ended manner in which it could serve as a nice conclusion to the series or kick off the next adventure.

[2012 Flash Forward: Saying this is better than "Dead Man's Chest" is a backhanded compliment like saying 'sure you've only got 10 months to live, but it's better than 1 month.' It's a far better film and while it fails in matching the unpredictable excitement of the original, this is  more of what I'd want in Pirates sequels. Just a little less of it.]

2012 Flash Forward rating: 5 out of 10

The Many Faces of Johnny Depp – Sweeney Todd

Leave a comment

Photo by Peter Mountain
JOHNNY DEPP as Barnabas Collins in Warner Bros. Pictures’ and Village Roadshow Pictures’ “DARK SHADOWS,” a Warner Bros. Pictures release.

Johnny Depp stars in “Dark Shadows,” which comes to theaters this Friday. Depp reunites with his frequent collaborator, Tim Burton, to try their hand at bringing a cult TV show to the big screen.

Never one to shy from a challenging role, Depp plays Barnabas Collins, a vampire who finally escapes captivity and meets his descendants who somehow make a vampire seem normal.

Today’s “Film Flashback” looks at another pasty-faced role Depp assumed while working with Burton — “Sweeney Todd: The Demon Barber on Fleet Street.”

Film Flashback: Serenity (2005)

1 Comment

Universal Pictures
(From left) Wash (Alan Tudyk), Zoe (Gina Torres), Kaylee (Jewel Staite), Malcom (Nathan Fillion), Inara (Morena Baccarin) and Simon (Sean Maher).

Having briefly only remembering seeing FOX’s commercials for “Firefly,” before it’s quick cancellation, I didn’t have any preconceived notions as to whether I thought “Serenity,” the big screen adaptation of the show should be the next end all, be all of science-fiction films.

After the two-hour thrill ride of a journey that often feels like an outer space version of “Big Trouble In Little China,” I think it’s safe to proclaim “Serenity” as the start of the next great sci-fi franchise and the jolt to the system the genre needed. [2012 Flash Forward: Sigh. I was way off on the next great franchise bit, but it really should have been.]

Nathan Fillion, stars as Captain Mal Reynolds, the leader of a ragtag group that use his transport ship, Serenity, for any mission that involves a paycheck within the limits of the law or not.

Universal Pictures
NATHAN FILLION (left) as Captain Malcolm Reynolds and ADAM BALDWIN as Jayne rush out with ammunition from “Serenity,” a transport-for-hire ship.

Mal’s crew, including Wash (Alan Tudyk, “Dodgeball”), Zoe (Gina Torres, “24”) and Jayne (Adam Baldwin, “Wyatt Earp”) aren’t bad people per se, but they have to eat, so playing by the law doesn’t always work out for them. [2012 Flash Forward:The cast is so well-written you almost don't have to have seen the movie to enjoy the characters.]

As the film opens, the crew has just rescued one of their own, a mentally disturbed teenager, River (Summer Glau, “Firefly”) from The Alliance, the big brother organization that controls the galaxy.

River may have learned a secret The Alliance cannot afford to allow to be made public and dispatches an agent (Chiwetel Ejiofor, “Four Brothers”) to bring her in. [2012 Flash Forward: I liked Ejiofor in the role as the emotionless villain. That reminds me. He really should have a better agent. He's an actor who should be constantly busy.]

Universal Pictures
SEAN MAHER as Simon attempts to comfort his sister River (SUMMER GLAU).

Being a longtime comic book reader however, I have become a great admirer of  “Serenity’s” Director/Writer Joss Whedon, who when he’s not making feature films, has made Marvel Comics’ “Astonishing X-Men” one of the best comic reads in years. [2012 Flash Forward: I was such a big fan of his work with the X-Men, I stopped reading them entirely until just last year.]

From his experience with his television shows “Buffy the Vampire Slayer” and “Angel,” Whedon makes a solid director. [2012 Flash Forward: I should have been more generous with my praise here. Whedon's work hardly resembles that of a first-time film director.] He knows exactly what he is envisioning and can bring that onto the screen without any distortion of the creative phase, but his nearly unmatched talent is in writing sharp conversational dialogue.

Universal Pictures
Writer/Director Joss Whedon makes his feature film directorial debut with the futuristic action-adventure “Serenity”.

Serenity’s crew all has well-defined personalities even within the scope of a two-hour movie and the actors seem to revel in playing scarred heroes, who are so much more interesting. They’re the kind of scoundrels that would make Han Solo proud.

In filming the fighting scenes, Whedon tries something a little different — he doesn’t splice the scenes in such a cut-rate fashion that one can actually see what is going on. Quite a novel idea. Hopefully, in his subsequent directorial efforts, Whedon won’t be swayed to go the trendy route of action scenes that give the viewer motion sickness. [2012 Flash Forward: Spoiler. He doesn't. He just decides to continue making kick-tail movies.]

After suffering through a summer crammed with TV shows being remade into movies, it’s refreshing to see a movie based on a TV show that is so entertaining that it actually makes you want to go and see the show of which the movie was created. [2012 Flash Forward:Which I still haven't. Shame on me, but not Whedon for making a very enjoyable,  science-fiction film. There's been far too few of them since "Serenity."

Universal Pictures
Transport-for-hire ship “Serenity” attempts to land on rocky terrain in an alien world.

 

2012 Film Flashback rating: 8 out of 10.

The Male Influence (and some less significant)

This WordPress.com site is the cat’s pajamas

nancycruzmorning

"They" always said I should write a book (or blog)

Your Nerd Nation

Nerd News : Action Figures Video Games Comics Movies etc.

Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Bad horror, Good times

Reviewing the best of the bad!

#TheBuildUp with TBI

WE MOBILIZE, EMPOWER, BUILD.

Follow

Get every new post delivered to your Inbox.

Join 103 other followers