The Twilight Saga: New Moon review

Jeffrey Lyles May 30, 2012July 7, 2016 1 Comment Bella, Catherine Hardwicke, Cullens, Edward, Jacob, Kristen Stewart, Robert Pattinson, Taylor Lautner, The Twilight Saga: New Moon, Twilight

New Moon keeps the romance going in vampire love-fest

The sequel to the greatest modern day film soap opera, Twilight, returns with The Twilight Saga: New Moon, packed with teen angst, unrequited love, vampires, werewolves and sculpted abs the likes of which have not been seen since 300.

Now fully engrossed in high school life, Bella (Kristen Stewart) is still trying to get her vampire boyfriend Edward, (Robert Pattinson), to turn her into a vampire. After all, she figures he’ll lose interest once she looks like her grandmother, a mindset that only gets worse with the onset of her latest birthday. It’s also a subtle metaphor for the thoughts of the younger teen girl audience that fears love won’t outlast their youthful looks.

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Bella doesn’t help her argument during her birthday party, when Edward’s brother can barely contain his blood lust after Bella gets a paper cut and bleeds on the carpet. Edward calls off their relationship, promising never to see her again so she can lead a normal life, and promptly disappears with his family, leaving Bella with little more than a broken heart.

Eventually, Bella’s adjustment to life without Edward is made slightly easier, thanks to her friendship with Jacob (Taylor Lautner), who harbors deeper feelings for her. To complicate things further, Jacob learns he’s able to turn into a werewolf, and is fearful that he could hurt Bella while in feral mode. At the heart of the film, Bella is desperately trying to remain faithful to Edward despite her friendship with Jacob. But as much as she’s attracted to Jacob and genuinely enjoys his company, Edward still has her heart.

Screenwriter Melissa Rosenberg’s dialogue would sound too heavy-handed if adults were saying lines like, It felt as if there’s a hole in my heart, but it’s perfectly suited for teenagers who act as if every crisis or heartache was the end of their lives.

This sequel feels a bit too similar to the original. The differences are that Jacob takes Edward’s place in the role of the awkward, conflicted teen type who interacts with Bella, and there’s a shift from a vampire-heavy story to one devoted more to the mythos of werewolves.

The special effects work for the werewolves — critical to keeping the film from straying into serious fantasy fare to distractingly bad — is very well done. The werewolves look as realistic as possible, not like last minute CGI additions.

Twilight fans eagerly anticipated this sequel, so Chris Weitz, (The Golden Compass) who takes over the directorial reins from Catherine Hardwicke, is tasked with simply not ruining the franchise. He doesn’t have the benefit of working in much humor, as New Moon is a much darker story than the original, but he provides a much-needed upgrade to the film’s action scenes.

It’s not going to challenge Titanic in terms of depth, but the Twilight saga is more of a teen-focused soap opera on the big screen that’s harmless fun.